Friday, 13 September 2019

SHACK 377 NON STOP

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I am amazed what pops up and flows when the personal 'I' is side stepped without suppression or repression. It is as if it is not personal or local and does not seem to come from the 'me' in everyday conscious chatter or mind dialogue.


It does not even seem inspirational, it is almost as if a tap is turned on and it flows from an unknown source. Trying to pinpoint or locate this source immediately dries it up and turns off the the tap.

It is best to leave it as the unknown impersonal and non local and it feels limitless and an endless manifestation of not only words. I feel there are also other manifestations that could materialise. Trusting getting out of the way is the 'technique of no technique' and is not only a gift from the unknown but is the unknown and trusting it has has benefits and benefits arise through getting the personal I out of the way..  Some of  the benefits may arise when we suspend superstition and dogma, which opens up one to inspiration and manifest ones needs and health.

It is a process of trust in letting go;  forcing and trying the inspired and manifesting mind to bind itself to old patterns of denial and limited behaviour which is managed and maintained by the overseer and supervisory management of the office of fear and stifling control will not work with inspiration.

Habit and repetition etches this control and superstition and cultural voodoos plague into the mind and scuttles its endeavours.  Where should one turn to access this fount? There is no location, no map reference only a process of letting the control of limited belief and strict discipline, habit and routine and let them go to rest for a while and vacate a space in the consciousness and mind, perhaps they are the same thing, perhaps consciousness being the passive companion of mind the active side being the outflow, one the energy potential the other the potential being deployed. 

I feel there is no limit to this and not only in writing who knows what can be next?

SHACK


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